Showing posts with label Art Museums. Show all posts
Showing posts with label Art Museums. Show all posts

Tuesday, February 5, 2013

Up and Out in Paris and London





Even seasoned Parisians would agree that the weather in Paris has been pretty triste.  Day after day of sad grey drizzly days.  So when a friend visiting from Italy suggested that I go with her to London to visit her daughter for two or three days, it seemed like a great idea. And lo and behold, when we stepped out of the train in London's St. Pancras International Station, the sun was shining and the sky was a clear, crystal blue.

With the ten-year old train tunnel under the English Channel or La Manche as it is known in France, travel time between the two cities is just two hours and ten minutes. We bought our Eurostar tickets online and printed them out at home. The morning of our departure, we took the metro to the Gare du Nord station and arrived with an hour to spare. Time enough to walk across the street for a morning coffee.  It was warm in the cafe and the conversation was good so before we knew it, there were only 15 minutes left to departure.  If you decide to go, leave more time than that. Check-in includes clearing customs and my British custom's guy had lots of questions for me.  In the end, we wound up running for the train, and hopped abroad just as the doors were ready to close. 

We glided out of the station and after several miles, the graffiti-lined walls and buildings gave way to the snow-covered French countryside. Our entry into the tunnel was without fanfare. Nonetheless, the tunnel is a modern-day wonder - at 50.5 kilometers (31.4 miles) it the world's longest undersea tunnel. At its lowest point, it is 75 meters (250 feet) below sea level.  

The idea of the tunnel is not new. It was first proposed in 1802 by a Frenchman named Albert Mathieu. Over the years, there were many other proposals, but for various reasons - including Britain's fear that a tunnel would compromise their national security or even worse, that hordes of unruly tourists would descend on the country - construction on a tunnel did not begin until 1988.  It opened in 1994 and ridership has been steadily increasing. In 2011, 17.5 million people crossed through the tunnel. Statistics do not show, however, how many of them were unruly.  


As we stepped out of St. Pancras Station into the bright sunlight, the differences between Paris and London were immediately apparent. Gone were the wrought-iron railings of the windows of Paris, the  balconies, the curved street lights and the distinctive blue street signs. They were replaced by London's neat, trim brownstones each with their own front stoop, double-decker buses and the well-known red telephone booths (with actual working telephones).  

Since the weather was so good, we walked to a nearby park (in London you are never far from a park), bought a coffee (no, not tea) from a parkside vendor and sat soaking up the warm sunshine. Afterward, we walked about town and then went to the British Museum. Since 2000, all British national museums have free admittance. During that time, attendance, which is now about 50 million visitors a year, has increased 51 percent. Without big entry fees, it's easy to drop in for an hour, see the Rosetta Stone and the Elgin Marbles from the Parthenon and a few Egyptian marvels and then leave.  That's just what we did. Afterward, we walked down the block to the London Review Bookshop Cafe for a tasty lunch in lovely surroundings. On my only visit to London more than 30 years ago, the entire national menu seemed to be fish and chips, but now London is a food-lover's dream with good restaurants around every corner.  

The sun left us then, but we continued walking, stopping at Convent Garden Market; passing through Soho and then down the Mall to Westminster Castle.  Along the way, we stopped for an hour at the National Gallery to view a couple of rooms of painting masterpieces.  

We had dinner at my friend's daughter's apartment - six Italian women and me, which was better and more fun than any restaurant. 

We awoke the next day to a snow-covered London. Since no one in London seems to own a snow shovel, we gave up on our idea of a walk along the Thames. Instead, we spent the day in the Tate Gallery and the Victoria and Albert Museum. 

The next morning, we took the Underground to Hampstead Village, one of the toniest parts of London, with more millionaires per square foot than any other area of the United Kingdom. The town is also known for Hampstead Heath, London's largest ancient parkland. There was still a lot of snow on the ground so instead of walking in the park, we strolled up the High Street. It was so English - the High Street, the Close, the Heath. 

Anyway, we strolled up the High Street, did a little shopping and then stopped for brunch. There were the usual trendy breakfast items, but tucked in at the bottom of the menu was "bubble and squeak," a dish I've seen mentioned in English novels. A Victorian chef of the 1890s, Theodore Garrett, described bubble and squeak as "a favorite domestic réchaufee of cold meats and vegetables variously compounded, according to what materials are at hand, or to fancy." In other words, leftovers, mixed together and fried.  "It's not very healthy," said my server, "but it's very good and very British."  So bubble and squeak it was.  It turned out to be two fried eggs, tomato confit, portobello mushrooms and two very large fried vegetable and potato pancakes that resembled latkes.  I ate it all.

By late afternoon, we were back on the Eurostar. It was dark when we walked out of the metro station and into the Paris night. The London snow had made its way across the channel faster than our speeding train  and Paris was beautiful in its mantle of white.

To see more photos, click here.







A bientôt,
Geraldine

Thursday, April 1, 2010

ROME IN THE COMPANY OF CARAVAGGIO





"Let's go to Rome this weekend," said our friends. We were hardly settled in Pisa, but who would say no to Rome? Not us, especially when the object of the trip was the Caravaggio art exhibit at the Scuderie del Quirinale which runs until June 13. 

La Freccia Bianca - the White Arrow train - pulled into the Pisa station only five minutes behind schedule and arrived in Rome three hours later. That gave us more than enough time to take the metro across town, deposit our bags at our hotel and walk back to the museum to pick up our tickets reserved for a 6 p.m. entry. (This exhibit  is the hottest art ticket in town so unless you are willing to spend three to four hours waiting in line, reserve your tickets in advance.)  

Caravaggio, born Michelangelo Merisi in Milan in 1571, created a new naturalistic style of painting. Whether saints or sinners, his subjects were shown with all their imperfections -- scars, wrinkles and even dirty feet and nails. His sometimes shocked audience, nonetheless, were dazzled by his realistic style. His masterful use of chiaroscuro continues to influence art today, 400 years after his untimely death at the age of 39. 

The show at the Scuderie features 24 masterpieces of Caravaggio. It seems like a small number, but it took us more than two hours to take in the beauty of it all. The crowds were manageable since by 6 p.m., many tourists are already back at their hotels thinking about dinner.  

Our dinner reservation at Trattoria der Pallaro, on the via del Pallaro not far from the Piazza Navona, was for 9:30 p.m., an hour when things are just getting going in most Rome restaurants. Chef-owner Paola Fazi welcomed us, posed for a photo in her kitchen and kissed us goodbye when we left. The menu costs 25 euros and there are no choices to be made. Paola brings you what she has cooked that day: first a selection of antipasti, then homemade succulent pasta, fish, meat, salads, dessert and even a carafe of the house wine. After such a dinner, we were glad to have a long walk back to the hotel. 

The next morning we visited three churches that have works by Caravaggio  - Santa Maria del Popolo, San Luigi dei Francesi and San Agostino. We couldn't get reservations for the Galleria Borghese, which has a Caravaggio room, so that will have to wait until next time.  

Lunch was a great big ice cream cone from the fabulous Giolitti, Rome's best gelateria. Afterwards, we trekked over to the Vatican Museum to see the Sistine Chapel.  The crowds were enormous, but the museum is very efficient in getting people in quickly. It was our first look at the chapel since restoration was completed in 1999. The restoration of the walls and ceilings lasted 20 years - twice as long as it took Michelangelo and other famous painters of the day to paint them.  

For our second dinner in Rome, we chose Grano, a sophisticated restaurant with good jazz and great food and wine that is located on a small square not far from the Pantheon.

Sunday noon found us at a piano concert in the 17th-century Capella Paolina in the Quirinale Palace. The Paolina Chapel has exactly the same dimensions as the Sistine Chapel. Instead of frescoes, however, its ceiling is decorated with gilded stucco angels. The concerts are free, but you do have to pay five euros to get into the Palace, which you can tour before the concert starts.

Many of the restaurants in Rome that are open on Sunday offer lunchtime buffets. We chose Babette, located on via Margutta, traditionally known as Rome's "artist street." Works by local artists hang on the walls and give the place a cozy feeling. Their buffet offers everything from soup to nuts and, of course, pasta and risotto.  It was a long, leisurely lunch and we tried a bit of everything.

Early that evening, we boarded the train, closed our eyes and slept as La Freccia Bianca sped along - in the darkness between the sea and the mountains - back toward Pisa.

(Photography was not allowed in the exhibit, but to see the works on display, click here to go to the museum's website.)

To see my photos of Rome, click here.




A presto,
Geraldine






Photos by Geraldine Calisti Kaylor